notordinaryfashion:

Love

what she said.

oscarprgirl:

Oscar de la Renta Resort 2014

garcode:

Marine Deleeuw & Lina Zhang in Dior Haute Couture ph by John-Paul Pietrus for Harper’s Bazaar China June 2013  

pivoslyakova:

“Love Actually” by Young-Gyun Zoo | Vogue Korea, May 2013.

tuileries:

Vivienne Westwood F/W 1990/1991 - “Portrait”

For this collection, Westwood drew inspiration from oil paintings as a “display of material wealth”. She printed images of paintings by Boucher - this one Shepherd Watching a Sleeping Shepherdess - onto her corsets, as well as taking literal inspiration in her designs from clothing featured in paintings by other artists (including Winterhalter and the 18th century painting The Boy with a Bat). She also drew ideas from the furniture of Andre Charles Boulle. The women in the show walked on platform shoes - “putting [them] on a pedestal as though she had stepped out of a painting”.

bienenkiste:

“At that time”. Photographed by Ellen Von Unwerth for Vogue Italia September 1997

girlannachronism:

Elie Saab fall 2012 couture backstage

journaldelamode:

Josephine Skriver for How to Spend It by Andrew Yee

theniftyfifties:

Model wearing a bikini with tulip appliques by Laure Belin, 1954.

journaldelamode:

Jacquelyn Jablonski for Vogue Russia October 2012 by Catherine Servel

girlannachronism:

Elie Saab fall 2012 couture backstage

thickwigz:

I wish people wouldn’t just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts and Sandra Bullock in a romantic comedy, but not me. You add race to it, and it became, ‘Well she’s too Asian’, or ‘She’s too American’. I kind of got pushed out of both categories. It’s a very strange place to be. You’re not Asian enough and then you’re not American enough.

girlannachronism:

Christian Dior spring 2012 couture details

notordinaryfashion:

burgundyreds:

Acquastudio 2013

Love